Calories in 10 Oz Beef and Broccoli
From offscreen friendships and jarring pay inequality to the special effects and makeup tricks that brought some of the earth's favorite film characters to life, The Wizard of Oz (1939) had so much going on behind the emerald pall and the Technicolor gloss of an amazing fantasy globe.
In honor of the 80th anniversary of the film, follow the yellow brick slideshow to peek behind that curtain and learn more about the secrets and fun facts that make the love film a timeless classic.
Margaret Hamilton Was a Fan Before the Film
Equally a self-proclaimed lifelong fan of L. Frank Baum'due south Oz series, Margaret Hamilton was thrilled to be considered for a role in the 1939 pic adaptation. Hamilton called her agent to ask which grapheme the producers wanted her to play, and her agent famously said, "The witch — who else?"
Hamilton, a single mother, fought MGM for an agreed upon amount of guaranteed work time. Three days before filming began, the studio agreed to a 5-week bargain. In the end, Hamilton was on ready for three months, but many of her scenes were cut for beingness too scary for audiences.
Dorothy'due south Original Look Was More than Pic Star Than Farm Girl
Sure, Dorothy Gale doesn't need prosthetics or aluminum makeup, merely that doesn't mean Judy Garland wasn't put through the costume department wringer. Although she was young at the fourth dimension, the 16-year-old Garland had to wear a corset-like device then she looked more like a preadolescent child.
Director Richard Thorpe suggested Garland wear a blonde wig and loads of "baby-doll" makeup (as whatever preadolescent daughter would…). Luckily, that vision of the character inverse. Afterwards MGM fired Thorpe, the intermediate director George Cukor nixed the heavy makeup and wig. Instead, he told Garland to be herself. Smart move.
The "Skywriting" Scene Employed Some Neat Moving-picture show Magic
The Wizard of Oz employs a lot of great film tricks, and some of the most unique were used in the skywriting scene. In it, the Wicked Witch (Margaret Hamilton) flies above the Emerald City, leaving the phrase "Give up Dorothy" in her wake in black smoke.
Using a hypodermic needle, the special effects team spread black ink across the bottom of a glass tank that was filled with a thick, tinted liquid (some speculate milk). They wrote the phrase in reverse and filmed the scene from beneath. Initially, the skywriting ended with the ominous "Or Die — W W W."
The "Snow" in the Poppy Field Was Actually Dangerous
1 of the Wicked Witch's last-ditch efforts to impede Dorothy'southward quest to see the Wonderful Sorcerer of Oz involves a poppy field and some magical slumber-inducing snow. While many like to joke that the poppies and their drowsiness are the result of opium (a component of poppies), the scene has a much more breathy toxic connection than that.
All that magical snow? Information technology'due south really 100% industrial-grade chrysotile asbestos. Even though the health risks associated with the material were known at the time, it was however Hollywood's preferred choice for faux snowfall. Our advice to Dorothy? Don't take hold of any snowflakes on your tongue.
Scarecrow's Makeup Stuck Around for Awhile
In the end, Ray Bolger (Scarecrow) was probably grateful in more ways than ane for Buddy Ebsen (the original Tin can Man'south) willingness to trade parts with him. The Can Man'southward aluminum makeup caused a huge corporeality of problems for Ebsen, who was replaced by Jack Haley.
Although Bolger'south makeup experience was better than Ebsen's, he notwithstanding had some issues. The Scarecrow's makeup consisted of a rubber prosthetic, complete with a woven pattern that mimicked the look of burlap. After the moving-picture show wrapped, the prosthetic left patterns on Bolger'southward face that took more than a yr to fade.
Margaret Hamilton Was Burned On Set
In a burst of flames and red fume, the Wicked Witch (Margaret Hamilton) vanishes from Munchkinland. Although the scene is terrifying for viewers, it may have instilled more fear for Hamilton. On the first have, the smoke rose from a hidden trapdoor likewise early on.
For the 2nd take, Hamilton stood on the trapdoor every bit planned, but her cape snagged on the platform when the burn down flared up. Her copper-containing makeup heated up instantly, causing second- and third-degree burns on her hands and face. To make matters worse, the coiffure tried to remedy her burns with (an even more painful) acetone solvent.
The Flying Monkeys Became Falling Monkeys
The Wicked Witch's legion of flying monkeys — or Winged Monkeys every bit they're called in the source cloth — accept certainly been a source of terror for generations. Virtually as scary as the Witch herself, these henchmen soar onto the scene to kidnap Dorothy and Toto — cheers to the magic of piano wires.
Withal, the aerial stunt went awry when several of the piano wires snapped, sending actors plummeting a few feet to the soundstage floor. To create such a vast troupe of monkeys (and cut down on human being marionettes), filmmakers made miniature rubber monkeys to help populate the sky.
"Over the Rainbow" Was Almost on the Cutting Room Flooring
To no one's surprise, the American Film Constitute ranked "Over the Rainbow" #i on a list of 100 Greatest Songs in American Films. But what may surprise you? The (arguably) most iconic song of Judy Garland'south career was nearly cutting from the motion-picture show.
Studio execs at MGM thought the song made the Kansas scenes also long. Moreover, filmmakers were concerned that children wouldn't understand the song's pregnant. Luckily, this unfounded concern melted like lemon drops. Unfortunately, Garland's tearful reprise of the song was left on the cutting room floor.
The Tin Man Costume Didn't Allow Jack Haley to Remainder Easy
Although Bert Lahr had to schlep around in a 90-pound panthera leo costume, Jack Haley didn't have information technology easy either. From the lingering concerns almost the aluminum paste-based makeup on his face and hands to the minimal flexibility of the "tin can" body and arms, Haley faced some challenges.
Reportedly, his costume was so potent that he had to lean against a board to rest properly. Many years later, thespian Anthony Daniels, known for playing the protocol droid C-3PO in the Star Wars films, had the same effect with his rigid costume. It seems even fantasy and sci-fi tin't help folks escape all their problems.
The Original Tin Man Was Rushed to the Hospital
Initially, Buddy Ebsen was cast equally the Scarecrow, but traded parts with Ray Bolger. Notwithstanding, Ebsen's new character, the Tin Man, caused him a world of issues. Namely, the grapheme's silverish makeup contained a harmful aluminum dust that coated Ebsen's lungs.
To make matters worse, Ebsen had an allergic reaction, and, unable to breathe, he was rushed to the hospital. MGM recast the role with Jack Haley (and changed up the makeup), merely didn't explain why Ebsen "dropped out." Although Ebsen didn't appear in the final film, his vocals can be heard in "We're Off to Encounter the Wizard."
A Stocking & Some Miniatures Gave U.s. the Tornado
The tornado that strikes the Gale homestead is total of practical special effects that actually hold upwards. The funnel itself was really a 35-foot long stocking made of muslin. The special furnishings team spun information technology around miniatures that resembled the farms and fields of Kansas. Against the painted backdrop, the tornado looks menacing.
The Gale house, which falls from the sky and into Oz, is just a miniature house that was dropped onto a heaven painting. Filmmakers then reversed the footage to make information technology look like the business firm was falling out of the clouds.
Hollywood Didn't Pay Upward Then Either
Pay inequality has e'er been an issue in Hollywood. For instance, Adriana Caselotti, vocalization of the titular character in Walt Disney's Snowfall White and the Seven Dwarfs (1937), fabricated $970 for her performance. The film went on to make roughly $8 meg.
According to the Los Angeles Times, Judy Garland's pay was better than Caselotti'south — playing Dorothy earned her $500 a week — but it still didn't reverberate the motion picture's success. Even more than discouraging, the folks who portrayed the citizens of Munchkinland were paid a mere $50 per week. (Meanwhile, Terry the dog earned $125 per week as Toto. A real yikes.)
Bert Lahr's Lion Costume Was Taxing
Originally, MGM thought it might cast its mascot — the actual lion used in the studio'southward title card — as the cowardly character. Fortunately, for the safety of the actors and the animal, the filmmakers decided to cast actor Bert Lahr as the anthropomorphic character instead.
To brand a disarming creature, the costume section fashioned Lahr a 90-pound outfit made from existent lion peel. However, the arc lights used on gear up made things a steamy 100 degrees during filming, which meant Lahr did a lot of sweating unrelated to his graphic symbol's nerves. Each dark, two stagehands dried the costume for the next day.
The Initial Box Function Returns Were Uneven
The moving picture started shooting in October of 1938 but didn't wrap until March of 1939, racking up an unheard of $ii,777,000 in costs. That'south nearly $50 1000000 adjusted for aggrandizement. Upon its initial release, the movie just earned $3 million at the box office — about $51.8 million past today'due south standards.
Although that seems impressive for a Low-era moving-picture show, remember that Disney made $8 meg with Snow White and the Seven Dwarfs (1937). The Wizard of Oz's modest success in the U.S. barely covered product and picture rights' costs — MGM paid $75,000 to the publisher for those — but success overseas fortunately bolstered the film'southward returns.
The Nighttime Side of Oz in a Fourth dimension Before "Me Also"
Judy Garland was but 16 years erstwhile when she was cast as Dorothy. Insecure and lonesome, she became addicted to amphetamines and barbiturates, which were oftentimes given to young actors to help them sleep after studios shot them upwards with adrenaline so they could piece of work long hours.
The spotlight — and her damaging contract with MGM — didn't assist, leading to her lifelong struggles with an eating disorder and alcoholism. According to a writer for Express, "[Garland] was molested by older men, including studio chiefs [and head Louis B. Mayer], who considered her little more than their 'property.'" Moreover, MGM forced Garland to stick to a wildly unhealthy diet of cigarettes, java and chicken soup.
The Voice of Snowfall White Had a Cameo
A few years earlier The Wizard of Oz debuted, Walt Disney's feature-length animated movie Snowfall White and the 7 Dwarfs (1937) became a smash-hitting. Not merely did the flick revolutionize the animation manufacture, it also reinvigorated the fantasy genre.
Disney wanted to follow upward Snow White — then the well-nigh successful film of all fourth dimension — with an adaptation of The Wizard of Oz, but MGM owned the rights. By happenstance, Adriana Caselotti, who voiced Snow White, had an uncredited role in Oz. During the Tin can Man's "If I Just Had a Middle," Caselotti speaks her sole line, "Wherefore art thou Romeo?"
The Ruby Slippers Are Props & Treasured Artifacts
Keeping in line with the book, Dorothy'south iconic footwear was originally silver, but screenwriter Noel Langley felt the carmine color would really popular in glorious Technicolor. Designed by MGM's chief costume designer Gilbert Adrian, the shoes are each covered in virtually two,300 sequins.
Ane of the remaining pairs is on view in the Smithsonian Institution's National Museum of American History. Since the display is so heavily trafficked, the museum has replaced the carpet in that location several times. Another pair were stolen from Minnesota's Judy Garland Museum in 2005, merely the FBI recovered the slippers for the establishment in 2018.
Only One Sequence Was Filmed "On Location"
The Sorcerer of Oz is your classic run a risk story, and Dorothy's quest leads her from a Kansas subcontract to another world — complete with corn fields, poppy-filled meadows and forests. Withal, despite all these scenic locations, nearly all the scenes were shot on a soundstage.
As was customary at the fourth dimension, immense, detailed backdrops were painted past studio artists, making it possible for filmmakers to ship audiences to far abroad places without filming on location. In fact, the only location footage in the film is the opening title sequence — those clouds are 100% the real deal.
A Second Toto Was Brought In
Toto, played primarily by Terry, is ane of the nigh beloved dogs in film history. Terry was famously not a huge fan of special furnishings and tin often exist seen running out of a shot when something loud or alarming happens — like when the Tin Man spouts out all of that steam.
Afterwards one of the Witch's guards accidentally stepped on her, Terry was on bedrest for 2 weeks. Filmmakers went through two doubles to discover one that resembled the original canine actor more closely.
Fun fact: Judy Garland was so addicted of Terry that she wanted to prefer the dog.
Margaret Hamilton "Mourns the Wicked" Witch
In add-on to being a huge fan of the Oz books, Margaret Hamilton also believed her character was more than just your run-of-the-manufactory evil villain. More than 35 years later the picture debuted, Hamilton, donning her Witch's costume to show kids information technology was make-believe, appeared on Mister Rogers' Neighborhood, where Fred Rogers interviewed her about the character.
According to Hamilton, the and so-called Wicked Witch relished everything she did, but she was also a sad, solitary figure. In short, things never went well for the frustrated Witch. Oddly enough, the Broadway musical Wicked also takes this approach to the Witch's grapheme.
The "Equus caballus of a Different Color" Was Fabricated Possible Cheers to a Nutrient Production
In 1939, audiences were just every bit amazed as Dorothy, Scarecrow, Can Man and the Cowardly Lion when the horse in Emerald City took on a rainbow of colors. This "horse of a dissimilar color" was fabricated possible cheers to a surprising nutrient detail…
Clot-O crystals were used to colour the horses, which meant filmmakers had to move rapidly — the animals were eager to lick up the sweet treat. But the colorful steed isn't the only interesting component in this fan-favorite scene. The horse-fatigued wagon was one time owned by President Abraham Lincoln and now resides at the Judy Garland Museum.
The Makeup Section Hired on Extra Hands
From the citizens of Munchkinland and Emerald City to the Witch's flying monkeys, then many actors had to undergo a makeup transformation in guild to give life to this fantasy film. To continue up with the daily demands, MGM chosen upon workers from the studio mailroom and courier service to manage makeup stations.
Since virtually of the Ozian ensemble required prosthetics, makeup artists — and "makeshift" artists — formed a kind of costuming associates line. Near actors had to arrive before 5:00 in the morning — six days a week! — to begin the intensive process.
Memorable (& Oft Misquoted) Lines Make full the Flick
The film is chock-full of iconic, memorable songs, and it has the great fortune of existence responsible for some of the most quoted lines in pic history every bit well. In 2007, Premiere compiled a listing of "The 100 Greatest Movie Lines" and placed a whopping iii of the film's lines on the list.
"Pay no attention to that homo behind the curtain" was voted #24, while "There'southward no place like domicile" nabbed the 11th spot. Finally, the oft misquoted "Toto, I have a feeling we're non in Kansas anymore" landed in the 62nd spot.
The Witch'due south Burn down Employed Some Technical Wizardry (& Juice)
Clearly, the technical wizardry — or witchcraft — in the film is incredible. Like the "horse of a different color" sequence, another iconic, special effects-heavy scene harnessed the power of everyday household items to pull off fun tricks.
Shortly later Dorothy arrives in Munchkinland, the Wicked Witch tries to snatch the crimson slippers from the young girl's feet. However, fire strikes the Witch's hands, repelling her. This "burn" is actually apple tree juice spouting from the slippers in a sped-up prune to make it expect more flame-similar.
Technicolor Required Some Ingenuity in the Props Department
Experimenting with Technicolor was function fun and office problem-solving for filmmakers. In order to properly capture scenes with the Technicolor camera, the soundstage needed to be lit with arc lights, which often heated the set up to a toasty 100 degrees.
Afterward the lights were set, the experts experimented with what would look best on film, especially in colorized form. For case, the white part of Dorothy's wearing apparel is really pink — just because information technology filmed better. And the oil the Tin Man is and so excited about? It's actually chocolate syrup.
The Wicked Witch of the Eastward Makes More Than Ane Appearance
Part of the Wicked Witch of the West's beef with Dorothy is that the young girl dropped a house on her sister, the Wicked Witch of the East, who was the short-lived owner of the crimson slippers. Although Margaret Hamilton already plays both the Wicked Witch of the West and her Kansas counterpart Almira Gulch, she also plays the Wicked Witch of the East — if only briefly.
During the tornado sequence, an addled Dorothy looks out her bedroom window and watches Gulch transform into a witch, her shoes shimmering. For fans, this glint indicates the witch outside the window is wearing the cherry-red slippers. The restored version of the picture makes that shimmer even more than noticeable.
The Flick's Running Time Was Cutting Down Several Times
The outset cutting of the film clocked in at a running time of 120 minutes. Although that seems like nix by today's Marvel movie standards, producer Mervyn LeRoy felt it was long and unwieldy and wanted to chop off 20 minutes.
After cutting the famed "Jitterbug" number (top correct) and an extended Scarecrow trip the light fantastic toe sequence, the moving picture was 112 minutes long. LeRoy held a second preview screening, and, afterwards, nixed Dorothy'southward "Over the Rainbow" reprise, an Emerald Urban center reprise of "Ding! Dong! The Witch Is Dead," a scene where the Tin Man becomes a human beehive (Yikes!) and a few Kansas sequences.
And so Much for a "Wicked" Witch
Filmmakers deemed Margaret Hamilton's Wicked Witch of the W performance likewise frightening for audiences and cut or trimmed many of her scenes. Simply not everyone idea her performance was terrifying — namely Judy Garland, who played the Wicked Witch's nemesis, Dorothy Gale.
Off-screen, the film's starring foes were actually friends. One story that emerged from the prepare described Garland excitedly showing off a dress to Hamilton, declaring she was going to article of clothing it for her graduation. Unfortunately, MGM'due south Louis B. Mayer sent Garland on a printing tour the day of her graduation. Upset, Hamilton phoned Mayer and chewed him out.
Giving Credit to Technicolor
In the opening credits, the text reads "Photographed in Technicolor," as opposed to the more apt "Color Sequences by Technicolor." The phrasing of the credits makes it seem as though the entire pic was shot in colour. Was this done deliberately, or was it a pocket-size syntactical faux pas?
Information technology's widely believed this was a bit of a stunt done to heighten the surprise of the picture turning into full three-strip Technicolor when Dorothy arrives in Oz. Posters made at the fourth dimension of the picture show's debut made no mention of sepia tint (or "black-and-white"), adding credence to this theory.
One of History's Most-Watched Films
Although The Magician of Oz proved popular in theaters, another picture released the same year, as well directed by Victor Fleming, really topped the box office. (Y'all may accept heard of that niggling movie — it'southward called Gone with the Current of air.) Notwithstanding, MGM's musical fantasy may have more staying power than other films of the era, thanks in office to re-releases.
The motion picture was first broadcast on television on November 3, 1956, and garnered an impressive 44 million viewers. Information technology's believed that The Sorcerer of Oz is ane of the x most-watched characteristic-length movies in picture history, largely due to the number of annual television screenings, theater viewings and various format re-releases.
weaverwhismainfits74.blogspot.com
Source: https://www.ask.com/tvmovies/wizard-of-oz-facts?utm_content=params%3Ao%3D740004%26ad%3DdirN%26qo%3DserpIndex
Отправить комментарий for "Calories in 10 Oz Beef and Broccoli"